What we ask you to rate
Every attribute in the catalogue, grouped by what it measures. Some are character rather than quality — no better or worse end. Rate only the ones you can actually hear; a blank is worth more than a guess.
Whether low notes have pitch and shape, not just weight. High means you can follow a bassline rather than feel it. Not the same as how much bass there is — that's Bass Quantity, in Character.
How much quiet information survives — reverb tails, breath, the sound of the room it was recorded in. High is hearing it without listening for it.
How the jump from quiet to loud lands. High means it arrives whole, without hardening or flattening as it goes.
How precisely instruments sit in space, and whether the picture holds when you move your head. High is pinpoint and stable.
Front-to-back layering. High means instruments sit at different distances rather than on one line.
How far sound extends past the cabinets. High is wider than the speakers, without the middle thinning out.
The object, not the sound: fit of joints, weight, terminals, whether anything buzzes when it shouldn't.
How forgiving it is about placement — close to walls, off-axis, in a small room. High means it works where you can actually put it. Computed from our Room Fit model — nobody votes on this one.
What you got for what you paid, at the price you paid. High means you would pay it again today.
How much bass there is. Quality goes in Bass Texture — a speaker can be lean and excellent.
Where the emphasis sits overall. Neither end is a fault; it's how you tell whether a speaker suits your room and your records.
How forward the top end is. Smooth is not dull and energetic is not harsh — both are choices some records reward.
14 attributes below are flagged for editorial copy — see the highlighted rows.